This table shows what musical duration each 0-127 control value produces once a parameter is synced to the incoming MIDI Clock. It applies to the LFO’s Rate and Fade-in controls (with MIDI Clock Sync turned on) and the Envelope’s Sync control — see the LFO and Envelope MIDI CC references for how those controls fit into the bigger picture.

For Rate and Sync, a lower value is a longer (slower) duration and a higher value is a shorter (faster) one, as listed below. Fade-in reads the same durations in the opposite direction: 1 is the shortest duration (64th-note triplet) and 127 is the longest (32 Bars) — a fade-in “time” naturally reads short-to-long as the value increases, the reverse of Rate’s speed curve. A Fade-in value of 0 is a special case that disables fade-in entirely, rather than picking a duration.

“Ticks” is the resulting period measured in MIDI clock pulses (24 pulses per quarter note) — useful if you’re matching this up against a DAW or sequencer’s own clock. Consecutive values that land on the same musical duration are grouped into a single range below.

Rate	Ticks	Duration
0-2	3072	32 Bars
3-5	2976	31 Bars
6-7	2880	30 Bars
8-10	2784	29 Bars
11-12	2688	28 Bars
13-15	2592	27 Bars
16-17	2496	26 Bars
18-20	2400	25 Bars
21-23	2304	24 Bars
24-25	2208	23 Bars
26-28	2112	22 Bars
29-30	2016	21 Bars
31-33	1920	20 Bars
34-35	1824	19 Bars
36-38	1728	18 Bars
39-40	1632	17 Bars
41-43	1536	16 Bars
44-46	1440	15 Bars
47-48	1344	14 Bars
49-51	1248	13 Bars
52-53	1152	12 Bars
54-56	1056	11 Bars
57-58	960	10 Bars
59-61	864	9 Bars
62-63	768	8 Bars
64-66	672	7 Bars
67-69	576	6 Bars
70-71	480	5 Bars
72-74	384	4 Bars
75-76	288	3 Bars
77-79	192	2 Bars
80-81	144	1.5 Bars
82-84	128	2 Bar Triplet
85-87	96	1 Bar
88-89	72	2nd Dotted
90-92	64	1 Bar Triplet
93-94	48	2nd
95-97	36	4th Dotted
98-99	32	2nd Triplet
100-102	24	4th
103-104	18	8th Dotted
105-107	16	4th Triplet
108-110	12	8th
111-112	9	16th Dotted
113-115	8	8th Triplet
116-117	6	16th
118-120	4	16th Triplet
121-122	3	32nd
123-125	2	32nd Triplet
126-127	1	64th Triplet

Values 0-79 (32 Bars down to 2 Bars) extend the range in whole extra bars, so very slow synced rates stay reachable. Values 80-127 map directly to standard musical note durations, from 1.5 Bars down to a 64th-note triplet.

The device’s Clock Divider setting, which paces its own MIDI Clock output, picks directly from that same set of 20 standard durations (1.5 Bars down to 64th-note triplet) without the extra-bars extension above.